转场前后的对比度特别大(QA里的导演也真·敢想敢做敢表达导演说你看到最后总会想到一个人我的感觉就是好羡慕QAQ)爱的肆意和张弛以一种毫无遮掩着生长的方式浓烈地传递到所有观众尽情尽力知根知底它有意弱化了地缘和历史把所有的笔力都用于细描那段习得的亲密所有滋养生长的瞬间在所有火候尖尖的试探和那些到点燃到熊熊和到被扑灭的火花深宅里的“莫德与苏“也暂时消失殆尽她看着她小心落笔的时候就是她们一同复苏的时候(不得不说她俩在床上的几番表白互动都实在太吸引人了I remember you did以及管理对方的表情单拎出来简直不输pta的眨眼)(感觉本片求组能即时获得极大愉悦经不起反刍的那种XD)#57thNYFF#
【东北往事第二季】’In my mind, I see a line. And over that line, I see green fields and lovely flowers and beautiful white women with their arms stretched out to me over that line. But I can't seem to get there no how. I can't seem to get over that line.' Viola第一次提到的这条关于线的引用和片中小男主不停向前凿的洞;在观影时直至心底深处并催促着用身心来做出振聋发聩的回应对困境的展示与情绪的描绘真切心碎;这或许是个会被挑剔太重复与相同的命题但丝毫不削弱它应有的力量
黑潴河畔林二郎:222.93.12.213
You'll find me/In a sea of dreams/Where no one cares about my words/I hear her voice/She laughs now/She loves me now and always did